In her first monograph Danish photographic artist Tine Bek tries to escape strict hierarchical structures through a series of aesthetic experiments. The book presents images of shapes that run over, flow, crumble and bulge out. An excess of uncontrolled forms that in the sculptural tradition have been dismissed as vulgar or possibly baroque. The book is a mix of still life, other found forms and created sculptural forms photographed. Fruit, material, fabric and figures are brought together and changed by subtle shades of colour.