Between 1970 and 1976, Helmut Schweizer developed his photographic series Handlungen (Actions). Across more than one hundred three-part tableaux, the artist stages everyday situations—often surprising, at times subtly absurd. Handlungen stands as one of the key contributions to conceptual photography of the 1970s.

Five decades after its creation, the series is published here in its entirety for the first time. The book draws on a comprehensive study of the artist’s archive, revealing a body of work that is both conceptually rigorous and visually distinctive. An extensive essay by editor Steffen Siegel offers an in-depth reading of the series and foregrounds Schweizer’s political concern: how can the relationship between humans and nature be rethought beyond the hierarchies of subject and object, domination and submission?