As screens, algorithms, and metrics have taken on the task of organising reality—making it difficult to distinguish visibility from value, immediacy from context—every image around us now competes with every other image, leaving us with an uncomfortable question: what are we supposed to be as an independent magazine? And who are we accountable to?

Brands? Algorithms? Audiences trained to scroll? What are we being asked to become? A cultural platform? A marketing tool? Or simply another content machine?

For this issue, we are granting every image—and every brand—the conditions it seeks: maximised visibility, circulation, engagement, and a claim on collective attention. Every page is a cover. Every image is released into circulation as a standalone event. The magazine’s traditional hierarchy disappears. Inside and outside become a single flat surface where images compete freely for momentum, attention, visibility, and relevance. Sound familiar?

This is how overload operates. Yet in understanding how reality is now organised, we are not questioning our existence. We are questioning the conditions through which that existence is understood.