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In his first evening-filling artist’s book “Notizen” (Notes), Sebastian Haslauer combines texts with drawings, most of which were created on the road, and which have one thing in common: they are unfinished, processual – and not to forget entertaining, meaning funny or thought-provoking. The “Notes” are an artifact of artistic thought in book form; they illustrate the gathering of observations, the organizing of content material, and the extraction of ideas. In other words, all the formlessness in motion that conditions the form-finding process for art.
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