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‘I hope that this edition of Manifesta will provide opportunities for young regional artists and make them the focus of the international media spotlight.’ – Šejla Kamerić. In the summer issue of frieze, ahead of Manifesta in Kosovo, writer and curator Viktoria Draganova, curator Adela Demetja, professor Branislav Dimitrijević and artists Šejla Kamerić and Dardan Zhegrova consider what the exhibition might mean for art production and cross-border collaboration. ‘For Westerners, the word Balkans implied something very dangerous – a messy territory.’says Branislav Dimitrijević. Thirty years after the break up of Yugoslavia and 22 years after Manifesta 3 in Ljubljana, the nomadic biennale is returning to the Balkans.