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The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century. Borrowing its title from Tristan Tzara’s description of the Gesamtkunstwerk, John C. Welchman’s compelling study begins with a reassessment of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. more
This volume is the second in XX–XXI, Welchman’s two-part series on European art from this and the last century, which will be followed by a series on West Coast artists and one on the work of Mike Kelley.