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Richard Price is not only one of the finest chronicler of New York's streets and its urban daily life, over time his masterly written dialogues are well known to turn each of his novels into an exceptional, buzzing reading pleasure. Mono.kultur #45 took its chance to talk with him about his hate-love relation with New York. [expand title="more"]Taking each of his novels to talk about the possible futures, despair and hope of Harlem, the Bronx and other neighborhoods of the grand city - while finding out more about his driving forces regarding life and the act of writing.[/expand]

Meg Stuart's work is anything but conventional. With her own dance company Damaged Goods she succeeds in pushing the borders of what it means to dance. The American choreographer has produced a diverse and lengthly list of projects and collaborations around the globe ever since she presented her first work at the Klapstuk festival in Belgium - which is now her adopted home country. Mono.kultur #41 dives into the world of movement which gets its powerfully strength out of an exceptional approach to flux, frailty and tranquility.

In a suitably meandering interview with mono.kultur, Gus van Sant talked about his second chance as a director, inventing films on the spot and why Hollywood always wins. Gus van Sant offers us a profoundly humane view of the world. It is a cinema defined by tenderness and slowness, preferring to observe rather than manipulate. A cinema of gaps and open endings, where mood reigns over meaning, where what we see and hear doesn’t quite add up, leaving us wondering.