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“My trip on the Trans-Siberian Railway was unique in that pretty much everything I experienced was different from what I had imagined,” says Spanish photographer Coco Capitán. “I thought I would be traveling in a train filled with chatty and friendly passengers and I had the idea that my adventure would play out along these lines. I could already see in my mind the pictures of passengers caught by my camera inside the old train compartments. Nothing could have been further from the reality I encountered.” ⁠⁠ ⁠⁠ Born in Seville in 1992 and now based in London, having moved there to study at Central Saint Martins and the Royal College of Art, Coco Capitán’s work spans a range of practices and media. Involved in the world of luxury from the start of her career, she rapidly gained international recognition as a fashion photographer. However, her artistic focus and accomplishments reach far beyond that sphere, combining photography, painting and performance with written slogans and aphorisms.⁠⁠ ⁠⁠ The Louis Vuitton Fashion Eye collection evokes cities, regions or countries through the eyes of fashion photographers, from emerging talents to industry legends. Each title in the series features an extensive selection of large-format photographs, together with biographical information and an interview with the photographer or a critical essay. After Louis Vuitton City Guides and Travel Books, this third collection presents travel photography with a fashion perspective, as the chosen photographers all infuse their images of great cities, faraway places or dream destinations with their unique vision.⁠⁠ Buy

On the occasion of his long-awaited sophomore album, Lahai, released this fall to universal acclaim, we capture SAMPHA in San Francisco through the lens of Liam McRae. In an accompanying interview by Felix Petty, the artist describes the record as an exploration of loss and healing, reflecting on the passing of his parents, the birth of his daughter, and the inevitably cyclical nature of life and memory. Shot by Jeremy Liebman in his New York studio, ALEX KATZ talks to Lola Kramer about his 78 years of painting practice. Across these decades, he’s maintained a revelatory and playful eye for the essence of the image: whether it’s a landscape, a self-portrait, flowers, his wife, or images appropriated from advertising, there’s a glossy, stylized truth at the heart of the work. With a career stretching from the pre-9/11 nihilistic hedonism of New York City to the gamified, small-screen fictions of TikTok’s psychedelic everyday, filmmaker and artist HARMONY KORINE is emblematic of America’s aesthetics. Photographed in Miami by Daniel Arnold, he talks to Lil Internet about his latest film, Aggro Dr1ft, where worldbuilding and AI push narrative cinema to its glitching limits. The most ubiquitous of fabrics, with a history dating back to the 17th century and a lead role in many subcultural revolutions, denim has recently been dominating the stage once again, reconceptualized through the warping lens of luxury fashion. Paying homage to its undying relevance, DENIM SAGA features an essay by Matthew Linde, a taxonomy by Bertie Branders, and a fashion centerfold by photographer Reto Schmid. A new photo reportage by DEXTER NAVY takes us on a journey to The Faiyum Oasis, a small sanctuary of life springing out of the harshness of the desert in Egypt. Led by a desire to reconnect with his own roots, the British-Egyptian photographer spent time with the Bedouin tribes who populate the region, navigating existence with graceful frugality. In her current retrospective exhibition at Berlin's Neue Nationalgalerie, ISA GENZKEN presents 75 sculptural assemblages from across her career to celebrate her 75th birthday. On this occasion, Kyla McDonal sorted through her archive of invitation cards—historical documents which double as allegories of communication and traces of an unfixed identity.

Man About Town is the bi-annual publication with a contemporary perspective for today’s man with his eye on aesthetics. Exploring key trends, cosmopolitan happenings and an insider’s knowledge of modern influencers, its pages cover a broad spectrum of diverse interests, from fashion and art to celebrity and culture.

METAL is an independent publishing project with a curious eye and an international spirit, a heady mix of fashion, photography and art.

LUNCHEON is an independent cultural magazine mixing art, fashion and food. Free spirited in its content this biannual magazine offers readers a generous feast for the eyes and the mind. The essence of conversations over lunch is at its core and each issue is constructed as if a menu. Over the lunch table, the magazine brings together different generations who share opinions, stories and memories, offering us an insight into their unique cultural contributions.

Comes with diffrent covers. Printed, bound and for the first time wrapped in silk, Cabana Magazine N20 marks a series of firsts, unveiling untold stories from our global team of contributors and collaborators. With six never-before-seen homes in New York, Milan, Belgium and Paris, two major travel portfolios in Malta and Gujarat, and the much-anticipated refurbishment of one of England’s most exalted addresses, this issue is full of first-look exclusives, which we are honored to share. Design icon, Roberto Peregalli, trusted Cabana to reveal a deeply personal space in Milan. Elsewhere in the city, textile designer Idarica Gazzoni invited Cabana to reveal her spectacular new home, an elegant palace of pattern and texture. Remy Renzullo’s refurbishment of the private wing of Castle Howard, one of England’s greatest estates, famously the setting for the film, Brideshead Revisited, dazzles in photographs by Derry Moore. In New York, nonagenarian artist, Barbara Jakobson opened her red lacquered doors for the first time, revealing a life truly well lived and collected. In Belgium, fashion designer Edward Vermuelen’s striking house shows the impact of light, scale and restraint. Meanwhile, in Paris, the antique-filled apartment of Sotheby’s chairman, Mario Tavella, is a rare treat in every way. In Malta, through the eyes of Miguel Flores-Vianna, designer Suzanne Sharp revisits her childhood and explores the complexities of Maltese identity and history, finding the country’s resilience and charm alive and well in its ancient streets and behind closed doors.

Comes with different Covers. Les Hommes & Les Femmes Publiques is a fashion, photography and art magazine. Predominately printed in black and white on luxurious silk stock, Les Hommes & Les Femmes Publiques is all about fashion through the eyes of photography. Featuring some of the world's most opulent brands, the magazine uses a selection of muses to portray fashion, as well as the usage of interviews and short text. Every double page is a pull out, which could be posters.

METAL is an independent publishing project with a curious eye and an international spirit, a heady mix of fashion, photography and art.

In 2001, Edition Patrick Frey published Welcome Aboard, a compilation of Walter Pfeiffer’s photographs from 1980 to 2000. The book revealed Pfeiffer’s importance as a pioneer of contemporary photography and laid the foundation for his rise from a classic “artist’s artist” to a world-renowned artist who went on to work for international magazines like Vogue and shoot campaigns for luxury brands like Bottega Veneta. Chez Walti retraces the arc of this recent work over the past 23 years and shows how Pfeiffer fine-tuned and renewed his photographic gaze, absorbing influences from the current zeitgeist even while remaining unmistakably himself in both his personal and commissioned work. Pfeiffer’s light, witty touch and unfailing eye for beauty are the hallmarks of his gorgeous guys and cheeky gals, lush still lifes and bucolic landscapes, chic fashion and bare skin. Chez Walti catapults us into Walter Pfeiffer’s weightless parallel universe, whose magic has intensified over the past two decades.

“Slowing down” has become a kind of buzzword in social media. And as it is with buzzwords and actually everything social media related, they get annoying very quickly. And although you might build up a resistance to everything that is imposed on you (or is it just us with our scratchy Berlin mentality?), there is actually nothing wrong with the concept of slowing down. And that’s where the Journal du Thé comes in. This wonderful magazine about contemporary tea culture does just that. It conveys a sense of calm. Without patronising. Without even telling you to be. And honestly, we have no idea how they do it. Maybe it’s the transference of the traditional and ceremonial nature of tea into the contemporary. Maybe it’s the simple layout. Maybe it’s the textured paper that mutes all the colours. Maybe it’s the concept of serenity we associate with tea.⁠ ⁠ Whether it’s all the reasons listed above or none of them that affect our feelings, this magazine is a wonderful example of what print can do to us.⁠ ⁠ The Chinese philosopher Laozi expressed that the teapot is useful for what cannot be seen – the empty space within it. Likewise, this publication sets out to explore space – in this case, the space surrounding a cup of tea. With a curious and playful eye, Journal du Thé investigates the palette of cultures and feelings contained within tea practices and their power to overcome borders.⁠ ⁠ So make yourself comfortable in a cosy place with this magazine (and a cup of tea, if you like) and be just like a teapot…⁠ ⁠ ⁠ We mold clay into a pot, but it is the emptiness inside that makes the vessel useful.⁠ We fashion wood for a house, but it is the emptiness inside that makes it livable.⁠ We work with the substantial, but the emptiness is what we use.⁠ – Laozi – Tao Te Ching, chapter 11⁠ ⁠ ⁠ Buy