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"My trip on the Trans-Siberian Railway was unique in that pretty much everything I experienced was different from what I had imagined," says Spanish photographer Coco Capitán. "I thought I would be traveling in a train filled with chatty and friendly passengers and I had the idea that my adventure would play out along these lines. I could already see in my mind the pictures of passengers caught by my camera inside the old train compartments. Nothing could have been further from the reality I encountered." Born in Seville in 1992 and now based in London, having moved there to study at Central Saint Martins and the Royal College of Art, Coco Capitán’s work spans a range of practices and media. Involved in the world of luxury from the start of her career, she rapidly gained international recognition as a fashion photographer. However, her artistic focus and accomplishments reach far beyond that sphere, combining photography, painting and performance with written slogans and aphorisms. Inspired by the House's travel heritage, the Louis Vuitton Fashion Eye collection evokes cities, regions or countries through the eyes of fashion photographers, from emerging talents to industry legends. Each title in the series features an extensive selection of large-format photographs, together with biographical information and an interview with the photographer or a critical essay. After Louis Vuitton City Guides and Travel Books, this third collection presents travel photography with a fashion perspective, as the chosen photographers all infuse their images of great cities, faraway places or dream destinations with their unique vision.

Inspired by his explorations and his fascination with religious art, Miles Aldridge sets aside the glamorous, hyper-chromatic aesthetic with which he made his name for the series of photographs featured in his Fashion Eye album. Having first visited Córdoba as a student in 1989 during Semana Santa (Holy Week), the experience left a lasting mark on him, along with vivid memories of sights, sounds and smells. Since then, he has returned to the city frequently to relive that unique and special time. For this Fashion Eye, Miles Aldridge revisited his initial impressions of Semana Santa, inspired by the life and writings of Federico García Lorca. In contrast with his studio work, here his images were taken with a Leica, using only available light. Politics, religion, family and kitsch intertwine with surrealistic elements to unfurl a rich flow of perceptions, in color as well as black and white.