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This edition begins with a conversation with Pier Vittorio Aureli and Martino Tattara, the founders of Dogma, an architectural firm concerned with the relationship between architecture and the city. [expand title="more"]By focusing mostly on urban design and large-scale projects, they consult with municipalities and agencies for urban planning and architectural issues. Atypically, El Croquis is this time only featuring plans not yet constructed, including a model for a city of 4,000,000 Inhabitants, a proposal for 44 social housing units, and a prototype for boarding houses in London. Timely articles about urban transformation follow, including an interesting genealogy of housing for the laboring classes.[/expand]

This hardback reprint combines two El Croquis issues dedicated to the Indian architecture firm founded by Bijoy Jain. [expand title="more"]It takes stock of Studio Mumbai’s most recognised works spanning 2003-2019. The monograph features the Studio Mumbai Work-Place in Nagaon, the Casa Tara in Kashid, the Leti 360 Resort in Leti, and the Palmyra House in Nandgaon. It then revisits more recent works such as Copper House II, the Ahmedabad Residence, and the Ganga Maki Textile Studio in the Himalayan foothills. Jain and his team of architects, engineers, carpenters, and masons excel in blending Indian and Western cultures, as seen in the thatched MPavilion 2016 in Melbourne.[/expand]

Based in São Paulo, Gustavo Utrabo was formerly part of Aleph Zero, a practice he founded in 2012 that won the 2018 RIBA International Emerging Architect prize. [expand title="more"]Now on his own, Utrabo sees his work as a means to connect people and imagine the future through sustainable and inclusive approaches. In his practice, he strives to consolidate his interests with a social impact, often engaging in remote constructions for indigenous people in the Amazon. This edition presents fourteen recent works, from private houses, a public market, and a cultural centre, to shading structures and children’s villages in the jungle. Includes an interview with the architect and an essay by Marta Bogéa.[/expand]

Dutch architect Anne Holtrop started his own practice in 2009 and completed his first two major projects in 2015, Museum Fort Vechten in the Netherlands and the National Pavilion of the Kingdom of Bahrain. [expand title="more"]In some of his works, form is explored through appropriations from natural occurrences and random drawings, while others focus on the unique gestures dictated by a particular material. This overview of his practice to date features nineteen projects spread among the Netherlands, United Kingdom, Middle East, and Japan. Included are several projects designed and built in Bahrain, where the studio maintains its second office, such as the shopping district Qaysariyah Suq.[/expand]

The magazine turns its focus on the Japanese architecture powerhouse duo of Kazuyo Sejima and Ryue Nishizawa in this instalment, examining both their collaborative and individual work over the past five years. [expand title="more"]Accompanying its selection of fifteen featured projects are a text by architect Maki Onishi as well as a conversation between her and the founding partners of SANAA. Notable recent works include the new Hitachi City Hall and Naoshima Port in Honmura (SANAA), Sumida Hokusai Museum and a new library at Japan Women’s University (Sejima), and Jining Art Museum, an office building, and six private residences (Nishizawa).[/expand]

Belgian architect Xaveer de Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. [expand title="more"] He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of a programmatic conflict. Among the featured projects are Hasselt’s Z33 Museum, Sint-Lucas School of Fine Arts in Ghent, a learning and innovation centre in Brussels, and a design for the International Olympic Committee Headquarters. Includes an interview with the architect by Sarah Whiting and essay by Philip Ursprung.[/expand]

Find more of el croquis here. A decade of work by Bernardo Bader is covered in this instalment. In that time, the Austrian architect has steadily built a reputation for his modern take on regional styles. more
Both the exteriors and interiors of his designs are often clad in wood, with structures framed by clean lines and set in alpine terrains, radiating warmth and comfort. Bader?s outspoken perspective on critical regionalism in architecture has drawn international praise, and he prefers to use locally sourced timber in his work. Presented here are more than fifteen projects, many of them houses, but also kindergartens, an alpine sports centre, an Islamic cemetery, a railway station, a chapel, a hotel, and more.

Find more of el croquis here. A decade of work by Bernardo Bader is covered in this instalment. In that time, the Austrian architect has steadily built a reputation for his modern take on regional styles. [expand title="more"]Both the exteriors and interiors of his designs are often clad in wood, with structures framed by clean lines and set in alpine terrains, radiating warmth and comfort. Bader’s outspoken perspective on critical regionalism in architecture has drawn international praise, and he prefers to use locally sourced timber in his work. Presented here are more than fifteen projects, many of them houses, but also kindergartens, an alpine sports centre, an Islamic cemetery, a railway station, a chapel, a hotel, and more.[/expand]

Can't get enough of el croquis? Well, we have plenty more here. This monograph is dedicated to the work of Adam Caruso and Peter St John, Caruso St John, between 2013 and 2019.

El croquis #200 spotlights Studio Mumbai. Bijoy Jain was born in Mumbai in 1965 and in 1990 obtained a Master of Architecture degree from Washington University in St. Louis, USA. He worked in Los Angeles and London between 1989 and 1995, before returning to India in 1995 to found his own office.[expand title="more"]Studio Mumbai works with an interdisciplinary group of people between India, Japan and Europe. Architects, engineers, master builders, skilled craftsmen, technicians and draughtsmen are collectively involved in the research and development of the office work. This group shares an environment created from an iterative process, where ideas are explored through the production of large-scale prototypes, models, material studies, sketches and drawings. Projects are developed through careful consideration of location and practice based on local skills, construction techniques, materials and ingenuity derived from limited resources. The essence of the work lies in the relationship between man in nature and nature in man.[/expand]