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Comes with a poster and two stickers. This super book published by KALEIDOSCOPE accompanies a two-artist exhibition co-curated by Alessio Ascari and Shinji Nanzuka, bringing together for the very first time the work of Japanese artist Hajime Sorayama and Swiss artist HR Giger. [expand title="more"]Touring from PARCO Museum in Tokyo to PARCO Event Hall in Osaka between December 2020 and February 2021, the exhibition coincides with the 80th anniversary of Giger’s birth and features over 50 works ranging from the late 1960s to the present day. The catalogue, designed by Swiss-based art direction firm Kasper-Florio with Samuel Bänziger, features a foreword by co-curator Alessio Ascari, a critical essay by Venus Lau, an interview with the late HR Giger by Hans Ulrich Obrist and Patrick Frey, and a recent interview with Sorayama by Ascari. It comes with a 50x70cm two-sided poster, and two 20cm die-cut stickers. Born and trained at opposite ends of the world, Sorayama and Giger are apparently at odds—one’s bright colors are swallowed by the other’s dark chiaroscuro; one’s enthusiastic outlook on technology borders with the other’s nightmarish dystopia; one’s “super-realism” challenges the other’s surrealism—yet they share more than meets the eye. Both emerged in the 1970s and 1980s, becoming acknowledged masters of airbrush painting and influential creators beyond the boundaries of the traditional art world, blurring the relationship between commercial and personal work. But more importantly, at the very core of their practice lies a similar concern: an obsessive investigation of AI, eternal life, and the fusion of organic and apparatus. Gynoids (female androids) are predominant subjects, conjuring the post-human and the apotheosis of the woman to reveal an underlying tension between life, death, power and desire.[/expand]

For more A magazine curated by follow this way. Following Rodarte and Proenza Schouler, Browne is the third American designer to take part in the A Magazine project, which offers carte blanche to a fashion designer to open their universe across 200 pages of creative content. He is the first menswear designer to curate A Magazine since Riccardo Tisci in 2008.[expand title="more"]Browne has tipped a both prestigious and personal cast of contributors for the issue, calling on members of staff, his partner and close friends to collaborate as well as a host of international artists and personalities including Baz Luhrmann, Martha Stewart, Rick Owens, and Hans Ulrich Obrist. The magazine’s content is united under the theme of ‘Death and Mourning in Black and White’, following the progression of Browne’s runway shows since January 2015 until today. The entire magazine has been printed in black and white – its only touch of colour provided by Browne’s iconic red, white and blue grosgrain ribbon employed as a bookmark.[/expand]

The latest instalment of this indispensable survey of contemporary drawing, chosen by the world's leading art experts.[expand title="more"]Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since the publication of Vitamin D (2005) and D2 (2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3 showcases more than 100 such artists, nominated by more than 70 international art experts. The more than 70 nominators include: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo León de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley. The more than 100 artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.[/expand]

In his debut monograph Mitchell unifies his body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. [expand title="more"]Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell’s signature candy-colored palette. With no white space visible, the book’s design mirrors the photographer’s all-encompassing vision, which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam), and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell’s reimagining of the Black experience.[/expand]

Guess what?! We do have the 1st Volume of the book, too! An in-depth monograph of M/M, one of Europe’s most inventive and distinguished graphic-design studios. [expand title="more"]Originally established in 1992 by Michaxc3x83xc2xabl Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorization, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquiere and Yohji Yamamoto; musicians Björk, Étienne Daho, Kanye West, Lou Doillon, Madonna, and Vanessa Paradis; contemporary artists including François Curlet, Philippe Parreno, Pierre Huyghe, and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion, and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michaxc3x83xc2xabl Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely-heard luminaries - designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-François Piege; theatre director Arthur Nauzyciel, and curator Hans Ulrich Obrist - are interspersed, providing a thought-provoking insight into the minds of one of the world’s most distinctive creative duos.[/expand]

What happens when musicians adopt ideas from the art world? And what paintings, sculptures and video works arise when visual artists allow them­selves to be influenced by music? [expand title="more"]This is the common thread of the exhibition »Black Album / White Cube – A Journey into Art and Music«, curated by Max Dax, the former editor-in-chief of Spex and Electronic Beats Magazine. The book features modern classics such as Peter Saville’s album cover design of Joy Division’s »Unknown Pleasures« (and a meditation on their derivatives), Emil Schult’s »Autobahn« painting for Kraftwerk, as well as Arthur Jafa’s apocalyptic video instal­lation APEX that rewrites pop history to the ­pulsating beat of a Detroit techno track by Robert Hood. The mutual influences between music and art become evident when Albert ­Oehlen is referencing Scooter and Rotterdam’s Euromasters in his paintings, and in photographs by Andrea Stappert, Anton Corbijn, Sven ­Marquardt, Luci Lux and Wolfgang Tillmans. Video works by Cyprien Gaillard, Mark Leckey and ­Daniel Blumberg extend this approach into the realm of film. The book features numerous background interviews that Max Dax has conducted with the participating artists – including Kim ­Gordon, Thomas Ruff and Michaela Melián. ­Further insight into the curator’s own practice is provided by an in-depth conversation with Hans Ulrich Obrist. Artists / Interviewees: Daniel Blumberg, Rutherford Chang, Phil Collins, Anton Corbijn, Kim ­Gordon, Scott King, Peter Knoch, Mark Leckey, Julian Lescoeur, Sven Marquardt, Michaela Melián, Radenko Milak, Albert Oehlen feat H.P. Baxxter, Thomas Ruff, Peter Saville, Thomas Scheibitz, Michael Schirner, Bettina Scholz, Emil Schult, Andrea Stappert, Henning Strassburger, Wolfgang Tillmans, Philip Topolovac, Ari Versluis / Ellie Uyttenbroek and Wolfgang Voigt[/expand]

In his debut monograph Mitchell unifies his body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell's signature candy-colored palette. With no white space visible, the book's design mirrors the photographer's all-encompassing vision, which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam), and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell's reimagining of the Black experience.

Published on the occasion of Jenna Sutela's exhibition at Kunsthall Trondheim, the book looks at meaning and randomness in the artist's wetware-powered work. [expand title="more"]The focus is on her latest work I Magma, exploring the notion of an oracle through alternative forms of intelligence and the application of machinic and chemical processes. NO NO NSE NSE includes contributions by Lars Bang Larsen, Stefanie Hessler, Caroline A. Jones, Hans Ulrich Obrist, Allison Parrish, Lars TCF Holdhus, and Ben Vickers.[/expand]

The first retrospective of the cult multimedia artist. The cross-media work of American artist Miranda July is difficult to categorize between performance, film and text - [expand title="more"]but her influence on the contemporary art scene and pop culture and her attraction to a young international audience are irrefutable. Curated by the artist herself, this retrospective presents her complete oeuvre to date, from her performance and video projects, digital multimedia works and award-winning films to her literary work. Illustrated with photographs, film stills, and various archive material, the volume illustrates the diversity of Miranda July's art. The book is accompanied by personal statements by friends, curators, and companions of Julie, including Hans Ulrich Obrist, Lena Dunham, David Byrne, Spike Jonze, and Carrie Brownstein - as well as Miranda July herself. This provides intimate insights into her creative process and her artistic development into an all-rounder with cult status.[/expand]

With a preface by Hans Ulrich Obrist and Bettina Korek. Formafantasma Cambio catalogue is an ongoing investigation conducted by Formafantasma into the extraction, production and distribution of wood products. For this project, Formafantasma collaborated with experts from the fields of science, conservation, engineering, policymaking and philosophy. [expand title="more“]They have gathered a range of texts, interviews and visual materials for the publication that pose questions about the role that design can play in translating emerging environmental awareness into informed, collaborative responses.[/expand] read Review