24 Mai The Plant #15 2020
The latest issue of The Plant accompanies Harley Weir on ceramics art therapy with her father, shows the democratic significance of a place like Central Park, travels with us to Rio de Janeiro, and talks with Hans Ulrich Obrist and Formafantasma about their – then soon to be opened -exhibition at Serpentine Galleries. Now Formafantasma’s exhibition can only be seen online, the possibility to travel to Rio is just a vague memory, and Central Park has a makeshift hospital on its grounds. In short, it is an edition that comes from the world of yesterday. Which is less than two months away, and yet it seems like a lifetime. But that still does not make the issues irrelevant. Quite the opposite. With all the news and headlines revolving around Covid-19, the terrible scenes in hospitals, and the people trying to cope with quarantine, loneliness and unemployment, we should not forget that we are still in the middle of a climate crisis, that parks, nature and green spaces are important for our health, and that creative, meditative work with our hands, like pottery, has a good effect on our mental health. Let us look at the topics of yesterday, because more than ever they will be the topics of tomorrow.