{"product_id":"filter-for-fotografi-8-photography-post-truth","title":"FILTER #8: Photography Post-Truth","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003efocuses on the political and media upheavals since 2016, when ‘post-truth’ was named word of the year by Oxford Dictionaries. The rapid spread of fake news, the rise of conspiracy-ideological content on social media – especially during and after the COVID-19 pandemic – and the propagandistic use of press and war photography in current conflicts, mark a profound shift in the way we relate to photographic images. At the same time, with the proliferation of photorealistic AI-generated images, whose creation is completely detached from the notion that photography depicts ‘what has been’, photography finds itself in the midst of a paradigm shift so powerful that neither users, developers or politicians can keep up, with the result that both legislation and ethical guidelines in the field are lagging behind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ci\u003e\u003cspan lang=\"EN-US\"\u003eFILTER #8: Photography Post-Truth\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ebrings together essays, interviews and artistic positions by internationally renowned writers, researchers and artists who shed light on this development from different perspectives. Contributions include articles by:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"oneComWebmail-MsoNormal\"\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eLewis Bush\u003c\/b\u003e (UK), lecturer in photojournalism and documentary photography, on the growing mistrust of photojournalism and strategies for strengthening the credibility of photography at a time when its authenticity is being questioned. \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003ephoto historian \u003cb\u003eRolf Sachsse\u003c\/b\u003e (DE) on the Nazis' use of photography as a propaganda tool.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eartist and PhD fellow at the Hasselblad Foundation \u003cb\u003eKerstin Hamilton\u003c\/b\u003e (SE) on how scientific photographs and technology shape our understanding of the world.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eart historian \u003cb\u003eOscar Vindel Schönström\u003c\/b\u003e (DK) on the history of the Copenhagen art gallery Fotografisk Center and developments in documentary and artistic photography since the 1990s.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"oneComWebmail-MsoNormal\"\u003e \u003c\/p\u003e\n\u003cdiv\u003eAs well as an interview with artist and member of the German Photo Council \u003cb\u003eBoris Eldagsen\u003c\/b\u003e(DE) on the difference between photography and AI-generated photorealistic images and the significance of the rise of artificial intelligence for the future of photography. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"oneComWebmail-MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe texts are supplemented by portfolio contributions by international acclaimed artists \u003cb\u003eTina Enghoff\u003c\/b\u003e (DK), \u003cb\u003eJoan Fontcuberta\u003c\/b\u003e (ES), \u003cb\u003eAndreas Koch\u003c\/b\u003e (DE), \u003cb\u003eLewis Koch\u003c\/b\u003e (US), \u003cb\u003eAstrid Kruse Jensen\u003c\/b\u003e (DK), \u003cb\u003eAndréas Lang\u003c\/b\u003e (DE), and \u003cb\u003eLaura Rautjoki\u003c\/b\u003e (FI).\u003c\/span\u003e\u003c\/p\u003e","brand":"Permanent Verlag","offers":[{"title":"Default Title","offer_id":56795810922840,"sku":"42622","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/7500\/0664\/files\/42622-FILTER-8_Photography-Post-Truth-1.jpg?v=1772101828","url":"https:\/\/doyoureadme.de\/products\/filter-for-fotografi-8-photography-post-truth","provider":"do you read me?!","version":"1.0","type":"link"}