When in 1993 a tiny gallery space opened its doors, aloof from the main stages of Milan’s design fair Salone del Mobile, no one could sense that the rules of design were just turned upside down. The objects exhibited by a group of young design students were anything but what one expected: a bookcase made out of packing paper, a chair made of rags piled up and draped together, a bar stool made of two tables placed on top of each other - to name but a few of the obscure pieces, which were presented as design artifacts. The wire-puller behind the scenes, the dutch art-historian Renny Ramakers and designer Gijs Bakker should shake up the field of design with their radical approach. In other words: together with Hella Jongerius, Marcel Wanders, Piet Hein Eek, Tejo Remy, Jurgen Bey, Richard Hutten and others DROOG (dutch for „dry“) was born.
Nearly 25 years later Renny Ramakers’ conceptual approach is still in demand when it comes to innovative, future-orientated design - whether as curator, writer or designer. The monograph Renny Ramakers - Rethinking Design gives a many-sided picture of a versatile woman, driven by intuition and her associative mind. “Things are never what they seem and never seem what they are“, art-historian Wim Pijbes describes Ramakers' timeless objects and the irresistible pull of the spirit-guided designer. What follows is a carefully made portrait, notes, interviews, insights, and pictures just as playful, humorous, and adventurous as Renny Ramakers design itself.
Oh, and when Ramakers says “Some things do not necessarily have to stand in every home“ - this book certainly has.
19 Februar, 2019