Hinterlands
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Drone Vision: Warfare, Surveillance, Protest brings the perfidious character of drones to the fore. Namely, seeing without being seen - and the associated insecurity and vulnerability, but also the usage for resistance and protest. The book presents three projects that move between art and politics - from migrant protests to colonial surveillance and the aesthetics of drone photography. The latter shows the geological scars and war remnants of five abandoned military sites in Israel - army strongholds, shooting ranges and urban warfare training facilities - and juxtaposes them with the personal and political scars engraved and marked on the private human body. Buy...
It is here! The Cyberfeminism Index! In in this book, hackers, scholars, artists, and activists of all regions, races and sexual orientations consider how humans might reconstruct themselves by way of technology. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art. Buy...
Reverse Hallucinations in the Archipelago reflects on the changing role of colonial natural history collections in the current ecological crisis. From DNA traces tracing teak furniture back to Indonesian plantations, to the extinction of species in the rapidly changing Malay world, an essayistic composition of Dutch paleoanthropologist Eugène Dubious's Javanese osteo-mythology, to the harmful role of monocultures, especially oil palm. In addition, a series of drone footage by Akademi Drone Indonesia, a group of young environmental activists from Nusantara, documents controversial land grabs in the region and shows the ongoing environmental violence perpetrated for profit. Buy...
"In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don't get bogged down with precise descriptions." This is a trailblazing collection of writings by rule-breaker Binyavanga Wainaina. Full of sharp satire and piercing wisdom, it contains many of Binyavanga's critically acclaimed works, including the satirical sensation How to Write About Africa, quoted above, which plays with the way Western media have reinforced stereotypes and pre-existing notions about Africa. Buy...
On the surface of a red-figure Attica vase, some thousands years ago, an inscription reading “ο Παῖς Καλός” had been engraved. Translating as The Boy Is Beautiful this intricate detail transforms a common vessel into a declaration of homoerotic affection; echoing the sexual liberation of a bygone era. The Boy Is Beautiful took this as an inspiration to investigate into queer Greek chronicles, from myth and history, to contemporary life. A quest with the question what happened between the time of Zeus and Ganymede, Apollo and Hyacinth, Achilles and Patroclus, the Band of Thebes and the Lesbian Sappho, Harmodius and Aristogeiton and the contemporary society full of sexism, homophobie and straightwashed history. Buy...
In South Korea, you can go to "prison" to relax. Sounds strange? Well, it is. You can get locked up in solitary confinement in a wellness centre designed like a prison. You lock out responsibilities, work, stress and emails and focus on your inner self. At least that's the concept. "The true prison is the world outside," says the founder of the jail-themed retreat. For this weirdly fantastic book we want to present here, artist Tyler Coburn commissioned ten creatives to spend time in five square metres of solitude in this wellness centre - and write. They handed in their phones, exchanged their clothes for a uniform, took their rice porridge meals through a door slot and slept on the floor. During their time in this mock prison, they were guided in their writing by certain questions: How can the relaxation promised by Happitory be reconciled with the way solitary confinement works in real prisons? What kinds of thinking and writing are made possible by the restrictions - no books, no internet, only writing materials? How might the writing here relate to other texts produced in prison, such as those by Oscar Wilde, Antonio Gramsci, Kim Dae-jung, Shin Young-bok? In its entirety, 'Solitary' is unique in that it is both a collection of texts and a collective artwork: an experiment in site-specific writing. Buy...