'Two Revolutions a Day' is the first comprehensive survey of Sophie Nys’ ceaselessly inventive and researched artistic practice, covering works and exhibitions from the early 2000s to the present. Structured around a wide-ranging conversation between Nys and critic Christophe Van Gerrewey, the book reveals the artist's overlapping fascinations with history and power, psychology and relationships, design and book making, and – not least – language and its semantic slippages.