{"product_id":"revue-faire-49-b","title":"Revue Faire #49.b - Lawrence Weiner","description":"\u003cp\u003eCritical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Léopold and François Havegeer established in 2017 a printed publication that deals with these practices.\u003c\/p\u003e\n\u003cp\u003eThis issue:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eLawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics \u0026amp; typography.\u003c\/p\u003e\n\u003cp\u003eNext to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.\u003c\/p\u003e\n\u003cp\u003e*— Russel Holmes, “The Work Must Be Read”,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEye Magazine\u003c\/em\u003e, Autumn, 1998, https:\/\/www.eyemagazine.com\/feature\/article\/the-work-must-be-read.\u003c\/p\u003e","brand":"Editions Empire","offers":[{"title":"Default Title","offer_id":54409836593496,"sku":"40488","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/7500\/0664\/files\/40488-Revue-Faire-49-b-1.jpg?v=1740657975","url":"https:\/\/doyoureadme.de\/en\/products\/revue-faire-49-b","provider":"do you read me?!","version":"1.0","type":"link"}