Swiss-born, Amsterdam-based artist Batia Suter presents a recent project in which she deals in a humorous and indirect way with the fundamentals of sculpture. The book is comprised of reproductions of protective packaging material for fruits, vegetables, and headphones, interspersed with collected images of armour. The sense of a fossilised present offers a new perspective on the artist’s phylogenetic approach to imagery and her appreciation of unintentional beauty.