In July 1968, a special issue of Studio International was published, Cybernetic Serendipity: The Computer and the Arts, which was realised in relation to the Cybernetic Serendipity exhibition held at London’s Institute of Contemporary Art from August to October of the same year. The show drew attention to the inventive ways that artists, scientists and technology experts were working together to make computer-generated graphics, animations and music, as well as cybernetic machines and environments. The idea was that artistic forms could be, and were, spawned by technology. The exhibition was curated by Jasia Reichardt, in collaboration with Mark Dowson (technological adviser) and Peter Schmidt (musical adviser) and designed by Franciszka Themerson.