The inaugural winner of the Publishing Performance residency and book award uses sculpture, collage and reappropriation to capture the synaesthesia of a rural Indian working-class spectacle. Indian artist Abhishek Khedekar’s experimental docu-fiction follows a 100-person nomadic troupe of Dalit ‘families’ performing Tamasha: a travelling form of performance combining dance, music, and visual art dating back to the 1800s. As post-independence India moved away from rural dance and song forms, Tamasha became stigmatised, polarised and relegated in Indian society. Criss-crossing the state of Maharashtra, Khedekar’s images dive into the complexity of this sociocultural fabric with a dizzying array of artistic techniques by utilising archival material, collage, documentary photography, performance, sound and video. Khedekar’s bricolage of experimental visual narratives elevates the make-do, unpretentious attitude of Tamasha performance into a unique aesthetic of song, community and expression: situating Tamasha’s traditions in modern India.