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In the past 12 years we had the pleasure to get to know a lot of the amazing people behind the magazines and publications we try to gather in our store for you, we have seen countless covers on our shelves and browsed myriads of pages. In News & Novelties we want to share some of our latest finds and conversations. Find inspiration in our reviews, enjoy some interviews with amazing people and get to know about our latest activities in Berlin and around the globe.

56 Days in Arles - Francois Halard

56 Days in Arles

Francois Halard
Last spring during the first lockdown, François Halard took one Polaroid every day for 56 days at his home in Arles. But this is not another Covid-lockdown publication. Under Halard's lens, every object, every piece of furniture, every painting becomes a silent souvenir of time.⁠ ⁠ Halard is rarely not traveling; so this enforced confinement was, he says, an opportunity "to look at the light coming into the house, to look at books in my library, to have another way of looking at time". The eclectic house, full of Proust's Madeleines, evokes a sense of a life lived. The hazy, dreamlike quality of these images will immerse you in memories and imaginations, giving them an intimate and poetic dimension. While the whole world stands still, Halard's house in Arles seems to breathe time.⁠ Buy
Crayon Pinceau

Crayon Pinceau

Ronan Bouroullec
Best known for his furniture design practice side by side with his brother, not many know that Ronan Bouroullec is also a painter. His works on paper follow the idea of what he calls intuitive drawing. This technique allows him to develop new images and reach the subconscious layers of the mind. Experimenting with shapes and lines "Crayon Pinceau" is a pure black and white series, this time focusing on shades and fades instead of color. The harmony of shapes within a few simple lines is striking.Although abstract, these drawings give the impression of fabrics, folds and upholstery, showing us yet another way into the visual mind of a designer. Buy
Face to Face

Face to Face

Seiichi Furuya
This is a story about love beyond death. The photographer Seiichi Furuya met Christine Gössler, a student of art history, in Austria in 1978, and after just a few months they married. From day one, Furuya documented her and their bohemian life, travelling across Europe. After the birth of their son in 1981, she became increasingly involved in the world of theatre. As she was devoting herself to her acting lessons, she started to show signs of schizophrenia. Christine committed suicide in East Berlin in 1985. Even decades later she remains Furuya’s great subject. Revisiting his archives he created five books entitled Mémoires. But in 2018, when he again browsed through his archives, Furuya found something unexpected: in between were photographs of him taken by Christine. Often at about the same time that he had photographed her. The presentation of "Face to Face" is one of simple elegance. A photo of her on one side, a photo of him on the other. Sometimes the two pose in front of the same background, sometimes they are unclothed, sometimes they are in black and white, sometimes they are with other people. We see her, then we see him. Often the couple shows us two points of view on a single moment. But Christine's death looms over everything like a pending premonition. We search in her smiling face for clues. We see her change over the years. As a mother with her new born in her arms, she is extremely thin. Is she just tired, her body exhausted by the new tasks that parenthood brings with it or is she sick? Always in the same place but never in the same photograph, their insurmountable physical distance, separated through death, is palpable. Yet at the same time there is something comforting in the images. As if she were saying, "I see you, too." Buy
Leaked Recipes - The Cookbook

Leaked Recipes

The Cookbook
This cookbook is dishing up recipes from major data leak scandals. ⁠Our years with the internet have been marked by an exponential growing mass of data - and the scandalous leaks of some of that collected information. But while everyone scours with paranoia the overabundance of material in those leaks to find incriminating information - there must be something there, right?! It cannot only be chaos! - Demetria Glace has found actual cooking recipes in the data clutter.⁠⠀ ⁠⠀ Released just in time for hacking season, The Leaked Recipes Cookbook showcases over 50 recipes found in the biggest email leaks of the last 15 years, including the very best cookie and a "secret" barbecue sauce among many others.⁠⠀ Beginning in March 2016, Democrats started to receive emails from companies like Google asking them to click on the link to reset their passwords. Some of Hillary Clinton’s presidential campaign staffers did. And that is how we got the recipe for the Genovese Pie! Of course this is also how Pizzagate came to life and screwed with the head of some out of touch with reality people, but that you will find in another chapter: The Conspiracy Course.⁠⠀ Buy
Eileen Gray

Eileen Gray

Designer and Architect
Eileen Gray is today one of the most celebrated designers and architects. But that was not always the case. Throughout her career, she struggled for acceptance as a woman in male-dominated professions. In Paris, she opened a gallery under the name Jean Désert that sold furniture and rugs. The gallery also served as an exhibition space for modern art, making Gray, albeit working under a male pseudonym, one of the first women gallerists.⁠ ⁠ She is best known, however, for her furniture, lighting, rugs, architecture, and especially for her signature Japanese lacquer technique, which she learned from Seizo Sugawara. ⁠ ⁠ Accompanying the exhibition at the Bard Graduate Center Gallery, organized by the Centre Pompidou, this richly illustrated catalog focuses on the diversity of Gray's design practices and explores the range of her architectural projects. It is divided into three sections: "Beginnings", which focuses on Gray's early life and education; "Being a Designer", which explores her career as a designer of furniture, rugs, and interiors; and "Being an Architect", which answers the prevailing question of whether Eileen Gray was an architect with a resounding yes.⁠ Buy
Le Corbusier and Zurich - Pavillon Le Corbusier

Le Corbusier and Zurich

Pavillon Le Corbusier
When Heidi Weber first met Le Corbusier, she bought one of his artworks. But the encounter was not only to become a long-lasting friendship, but also a project that would bring the so-called "prodigal son of Swiss architecture", who had been lured away from his homeland by the prospect of bigger and bolder projects, back to Switzerland to create what would become his final work.⁠ ⁠ Weber convinced Le Corbusier to construct the planned pavilion entirely out of glass and steel, materials for which it would become iconic. Designed according to the architect's famous Modulor system, a scale of proportions designed to balance the dimensions of the human body with beauty and architecture, the building is topped by a floating steel roof that creates a seductive contrast between solidity and weightlessness. The pavilion was completed 1967 - two years after Le Corbusier's death.⁠ ⁠ The second exhibition at the now refurbished Pavillon Le Corbusier highlights the relationship between the Swiss architect of the century and the city of Zurich. It puts Zurich back into the light as an important point of reference for his work. With works of art, furniture, architectural models, photographs and historical documents, the exhibition shows the central role that Zurich - and not only Paris - played in Le Corbusier’s multifaceted oeuvre.⁠ Buy
Jeux de Mains

Jeux de Mains

Cecile Poimboeuf-Koizumi & Stephen Ellcock
Our hands carry an incredible symbolic power. They stand for creation, but also for conversation, hospitality, strength and protection. They invite and they defend, they show affection and they hurt, they pray and they shape. According to Aristotle, the hand is the "tool of tools". No wonder they are a recurring motif in art.⁠ Jeux de Mains brings together a hundred works of art centred on the hand - from Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and a multitude of treasures from the ancient ages. It confronts and mixes famous, emerging and anonymous artists from a wide range of backgrounds, thus foregrounding the symbolic meaning and visual power of the hand.⁠ Buy
Das Letzte Jahr - Martin Gross

Das Letzte Jahr

Martin Gross
"Das letzte Jahr", German for "the last year" does not refer to our last year 2020, which is fortunate because we already have had enough of that. The year meant is 1990, a rather important year in Germany because it was the year in which the reunification of West and East Germany was hastily accomplished. And yet it fell into a collective oblivion. Everyone remembers 1989, when we danced on the Wall. But 1990 seems too scattered to grasp. ⁠ ⁠ The author Martin Gross tried at the time. He had an intuition of the significance of the year that marked the downfall and reshaping of the country. Living in the GDR for a year, he described how people made the transition from the old to the new system. He portrayed people as diverse as the guard of a former Stasi prison, the store manager of one of the new supermarkets, the stokers of a power station, the bodyguards of a minister and the cleaners of a government building.⁠ ⁠ The book was first published in 1992, but was soon forgotten. In 2019, Jan Wenzel came across it while researching for his book "1990 Freilegen" and took many of its notes. With a distance of 30 years, these notes were now perceived by critics as "clear-sighted", "precise", "stylistically brilliant" observations of the turning year. But the author himself could not be found. Fortunately, contact was finally made in June 2020 and a new edition of the title was planned.⁠ ⁠ And so here it is again, a book that describes a historical event, not through political steps, but through the impact it had on people's daily lives. Buy
Social Matter, Social Design

Social Matter, Social Design

For good or bad, all design is social
For good or bad, all design is social!⁠ This book challenges the very idea of social design. Jan Boelen argues that there is no social design, because all design is social. Social Matter, Social Design offers novel forms of critical and meaningful engagement at a time of mounting social contradictions. Unfortunately design is part of the problem, but luckily also part of the solution. Buy
BODY Book - Lotte van Raalte


Lotte van Raalte
The female body has not been owned by women for a long time. The way it is portrayed is dictated by advertising, the way it is viewed is dictated by the male gaze, what and how much of it should be seen is dictated by society and our nipples belong to Instagram and are locked behind little gif stickers. That's why this book is so refreshing. Body shows photographs of 46 women in their most natural form. Lotte van Raalte explores the female body with her camera without sexualising, without judging, without shaming, but with a loving eye for all shapes, ages and colours. The result is incredibly intimate and breathtaking. Time to reclaim our bodies and love them as they are! Buy


Heleen Peeters
Humans and horses share an inseparable history. First as a means of transport and labour, they became popular pets with moral status, used for recreation, competition and medical therapy. A less documented part of this history is the horse serving as food. Heleen Peeters explores horse culture around the world, navigating from breeders, competitions and rescue centres to slaughterhouses, factories and butchers. In a visually stunning way, she touches on questions about our relationship with animals and meat consumption.⁠ Buy
Tokyo Papers - Karel Martens

Tokyo Papers

Karel Martens
In 2018 Dutch graphic designer Karel Martens received a package from artist-curator Pierre Leguillon that contained filled-in Japanese forms which Leguillon had found at a street market in Tokyo. Martens was intrigued by the collection of thin paper with a rectangular black-blue layer of carbon on the back. He started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, he switched to printing them on the front sides, creating a beautiful correlation between his abstract forms and colour combinations and the ones of Japanese bureaucracy.⁠ Buy
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